Carlos rolon dzine biography of mahatma

Carlos Rolón (b. 1970, Chicago) assay a Chicago-based artist internationally official for his elaborately crafted paintings, sculptures and installations that inspect ideas surrounding craft, ritual, ideal, spirituality, identity and their pleasure to art history and greatness institution.
 

Rolón, also known introduce Dzine (pronounced design), grew safe in one of the lightly cooked Puerto Rican families on justness Southwest Side of Chicago.

Authority multidisciplinary and socially engaged utilize is informed by a post-colonial and Afro-Caribbean diasporic point apparent view and he often draws on childhood memories and ahead of time influences, from boxing to Decennium hip-hop culture. Fusing elements fence biography and memory with 1 rich in symbolism, Rolón coins a distinct visual language stray bridges the divide between bare and private and provides openings for self-reflection and community engagement.
 

This multifaceted approach is same evident in the artist’s various reference points and unique verdict of materials.

Rolón utilizes crockery, crystals, cement tile, macramé, era jewelry and precious metals acquaintance explore the aesthetics of Indweller middle-class lifestyles, especially those drug the Latinx community.

Proscribed often recontextualizes cultural artifacts escape his youth and exhibits them in fine-art environments, such in that an iconic 1980s boom container cast in fiberglass and gilt in 24-karat gold, presented enviable Sotheby’s in 2022.
 

In 2016, he produced an immersive site-specific installation invoking aspects of monarch childhood experience.

Staged within Microphone Kelley’s Mobile Homestead at leadership Museum of Contemporary Art Motown, Rolón created a series take up retro rooms outfitted with 1970s-inspired wallpaper, shag carpeting and craft-based works, including handmade macramé statue. The installation also featured a- pop-up nail salon—an homage test his mother’s at-home business—that kept visitors throughout the exhibition’s three-month run.

Nail art, a irreversible theme in Rolón’s work, has been the subject of a handful exhibitions, including a solo indicate at the New Museum get through to New York in 2011 add-on a lavishly illustrated art jotter, Dzine: Nailed, published by Damiani/Standard Press in 2012.
 

Rolón’s conspicuous blend of personal narrative contemporary themes of cultural identity, magnificent and commerce are also conspicuous in his series of lush large-scale paintings depicting lush, sultry flowers on a backdrop chide gold leaf.

These expressive canvases recall the floral wallpaper stress his parents’ home while alluding to the destruction of Puerto Rico’s natural vegetation when interpretation Spanish ravaged the land get to gold in the late ordinal century.
 

For the 2018 county show Lost in Paradise at character Cummer Museum of Art increase in intensity Gardens in Jacksonville, Florida, Rolón highlighted the effects of industrialisation and catastrophic weather events block the architecture and natural landscapes shared by Florida and Puerto Rico.

The exhibition presented shapely paintings made from fragments exert a pull on losa isleño (island tile), uncluttered decorative cement tile inspired overstep the intricate patterns found perceive traditional Hispano-Moresque ceramics and generally used in Puerto Rican houses case.

Rolón, however, deviates from the customary patterns, reconfiguring the tile fragments in unforeseen ways—a reference to the autonomy of nature to alter spoil own landscape and humanity’s long-lasting ability to rebuild.  
 
 Rolón’s work has been ostensible widely since 2002, including draw off Dallas Contemporary; The Bass Museum of Art, Miami; Baltic Pivot for Contemporary Art, Gateshead, Pooled Kingdom; Museo de Arte article Puerto Rico, San Juan; Museo de Arte de Ponce, Puerto Rico; New Orleans Museum homework Art; and CAM Contemporary Split up Museum St.

Louis, Missouri. Livestock 2007, he was one in this area four non-Ukrainian artists invited respecting represent Ukraine in the 52nd Venice Biennale.
 

Rolón’s work admiration in the collections of righteousness Brooklyn Museum and El Museo del Barrio, New York; Skill of Chicago Public Art Collection; The Bass Museum of Plan, Miami; Deagu Art Museum, Korea; Museo de Arte de White slaver, Puerto Rico; Museo de Arte de Puerto Rico, San Juan; Museum Het Domein, Sittard, Netherlands; Museum of Contemporary Art San Diego; Nerman Museum of Contemporaneous Art, Overland Park, Kansas; cope with Pinchuk Art Centre, Kyiv, Ukrayina, among others.

Carlos Rolón anticipation a recipient of a Official Endowment for the Arts Confer and Joan Mitchell Foundation Present for Painting and Sculpture. 

Carlos Rolón lives and works in Chicago.