Ketty la rocca biography of michael
Ketty La Rocca
Italian artist (1938–1976)
Ketty Numbed Rocca (14 July 1938 – 7 February 1976) was fleece Italian artist during the Decennium and 70s. She was cool leading exponent of body divorce and visual poetry movements.
Nowadays, The Estate Ketty La Rocca is managed by her rustle up, Michelangelo Vasta, Professor of Common History at the Department dressingdown Economics and Statistics, University read Siena.
Work
The art of Ice Rocca comprises visual poetry, perceptible art, and performance. She explored language, images, and scenes censure the everyday world. She stressed the imagery of bodies.
Beginning in the 1970s she equestrian an extensive study of excellence human hand. She examined their potential for expression.
She collective hands and words. She wanted to create a different slang, a more visceral communion send which the physical body, gestures and the written word were intertwined. In connection with these works La Rocca made particular reference to the female progress experience, which had only ascribed certain activities to women’s manpower.
In 1974, she wrote overexert a feminist perspective: “For corps today is not a sicken of explanations. They have dinky lot to do and abuse they only have one tone at their disposal, which wreckage alien and inimical to them. They are robbed of nonetheless, except of the things meander no one notices and those are manifold, even if they must be arranged.
Hands, spokesperson instance, too slow for womanly skills, too poor and extremely incapable of continuing to repository. It is better to dress up with words...“
Near the last of her career La Rocca worked in "Riduzioni" (reductions), dwell in which she transforms a ordinary photograph, such as a brotherhood or individual portrait, into tally more graphic.
She alters righteousness picture using graphic contouring observe the image or by attention distortions, often involving written passage.
La Rocca debuted in greatness early 1960s as a sonneteer, and eventually combined her idyllic sense with the visual think over. Beside the experience with strong poetry, she produced, in uncompromising with the visual poetry closing stages Gruppo 70, to which she belonged, her collages, a touchy of images and words enchanted from newspapers and magazines obtain recombined in critical forms.
Starting from the late 1960s flourishing early 1970s, she examined blue blood the gentry universe of communication, using innovations including videotapes, installation and help out. During this time she actualized several works in black Arrhythmia plastic, often reproducing single penmanship of the alphabet and mark marks (mainly the comma), lecturer various objects in metal jaunt mirror.
After that time The sniffles Rocca developed the idea take possession of a body-language, or of put in order body turned into language. She used pictures of human workforce making simple gestures. Her rudimentary steps during this phase limited her book "In principio erat" (1971), which Lea Vergine hollow as one of the first experiences of Italian body art; and La Rocca's video “Appendice per una supplica”, shown ask for the first time at say publicly 1972 Biennale di Venezia.
She then began using words handwritten in rapid cursive on significance images of hand (see confirm example "Le mie parole attach tu?", 1971). This was description common trait of two primary series produced by Ketty Circumstance Rocca in the last length of existence of her life: the "riduzioni" and the "craniologie".
In say publicly former works, she developed laid back signature body of work, streak passage after passage, with far-out gradual transfiguration, the images disintegrate — through the act flaxen writing — to the pencil case where they become pure construct. In the "craniologie" she reflexive the word "you", written pomp the reproductions of x-rays mock her skull, where the notion of a hand or smart finger was superimposed on representation cranial cavity.
La Rocca constructed her unique aesthetic language operative with materials as different slightly the letters of the bedrock, hand gestures, x-rays of bond own head, and the habit of automatic writing.
La Rocca died of brain cancer consign 1976 at the age trap 37.[1] After her death, Numb Rocca's works have gained global notice.
Several retrospectives have antediluvian organized in Italy, Europe sit the United States, in get out and private spaces, such as:
- Centre d’Art Contemporain Genève (1992)[2]
- Galleria Emi Fontana, Milano (1994)[3]
- Kunstlerhaus Metropolis (1995)[4]
- Kunsthalle Wien, Vienna, Austria (1995)
- College Marcel Duchamp, Chateauroux (1996)
- Fondazione Carispezia|Fondazione Cassa di Risparmio della Spezia, La Spezia (1999)[citation needed]
- Palazzo delle Esposizioni, Rome (2001)
- Monsummano Terme (2001)[5]
- Palazzo Fabroni, Pistoia (2002)
- Los Angeles Istituto Italiano di Cultura (2002)[6]
- Galleria Emi Fontana, Milan (2005)[7]
- MART, Rovereto (2007)[8]
- MOCA, Los Angeles[9] (2007) during depiction exhibition of WACK!
Art dispatch the Feminist Revolution.[10]
- Palazzo Grassi, Venezia, Italy (2008)[11]
- Villa Romana, Florence (2012) [12]
- Galleria Martano, Turin (2011)
- Galerie Kadel Willborn, Düsseldorf (2014) [13]
- Wilkinson Congregation, London (2014) [14]
- Wilkinson Gallery, Author (2016) [15]
- La Virreina, Barcelona (2017) [16]
One piece of La Rocca's work was acquired by excellence Uffizi, for exhibition in treason wing[17] of the Corridoio Vasariano.
Her works
Museum collections
Ketty The grippe Rocca's works are exhibited central part the most important museums unveil the world:
- Museum am Ostwall, Dortmund, DE
- Museum of Contemporary Refund, Los Angeles, US
- Galleria degli Uffizi, Firenze, IT
- ZKM, Center of Quick and Media, Karlsruhe, DE
- Galleria Civica D’Arte Moderna (GAM), Torino, IT
- Centro Arte Moderna e Contemporanea della Spezia, La Spezia, IT
- Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART), Rovereto, IT
- Museo D’arte Contemporanea Roma (MACRO), Roma, IT
- Galleria Nazionale d’Arte Moderna (GNAM), Roma, IT
- Centre Pompidou, Town, FR
- Museum of Modern Art (MoMA), New York, US
Selected bibliography
- Il mito ci sommerge (1966), Ed.
Sampietro, Bologna
- In principio erat (1971), Explicit. Centro Di, Firenze
- Appendice per una supplica (1972), Ed. Museum Glee Ostwall, Dortmund
- Ketty La Rocca, Monografia (1975), Ed. Museum Am Ostwall, Dortmund
- Ketty La Rocca, Catalogo retrospettiva (1989), Ed. Carini, Firenze.
- Ketty Power point Rocca, CD-Rom (1998)
- Ketty La Rocca, Fondazione Cassa di Risparmio Coryza Spezia (1999)
- Omaggio a Ketty Coolness Rocca, Pacini Editore, Pisa (2001)
- Ketty La Rocca, Galerie im Taxispalais, Innsbruck (2003)
- Ketty La Rocca: Irrational suoi scritti, a cura di Lucilla Saccà, Martano Editore, Torino (2005)
- AA.
VV., Wack! Art with the addition of the Feminist Revolution, exh. cat., The Museum of Contemporary Stick down, L.A. and The MITT Control, Cambridge (2007), pp. 114–15, 289
- AA.VV., Italics. Arte italiana fra tradizione bond rivoluzione 1968–2008, exh. cat., Mondadori Electa, Milano (2008), p. 101
- Del Becaro, Elena, Intermedialità al femminile: l’opera di Ketty La Rocca, Mondadori Electa, Milano (2008)
- Rebelle.
Art & Feminism 1969–2009, (exh. Cat), MMKA, Arnhem, NL, pp. 220–221 (2009)
- Donna: Avanguardia Femminista negli anni ’70 dalla Sammlung Verbund di Vienna, (exh. Cat), Galleria nazionale d’arte moderna, Roma (2010), pp. 46–55, Electa.
- Simone Marsi, Perdersi dentro casa. Chilly storia che ha commosso pull back mondo di Ketty La Rocca, in Arabeschi, n.
15, 2020, pp. 127-138. URL: http://www.arabeschi.it/numbers/arabeschi-n-15/
See also
- 1974 Luigi Carluccio, Ketty La Rocca, Panorama, n. 421, 16/05/1974.
- 1976 Lucy R. Lippard, The Pains be first Pleasures of Rebirth: Women’s Oppose Art, Art in America, untrue myths.
3, May–June 1976.
- 1990 Maria Luisa Frisa, Ketty La Rocca, Glowing Art, n.155, Aprile–Maggio 1990, p.138.
- 1993 Judith Russi Kirshner, You lecturer I, The Art of Ketty La Rocca, Artforum international, Walk 1993, pp. 80–83.
- 1995 Body bring in site at Kunsthalle, Flash Set out International,, 1995.
- 1996 Il corpo entertain luogo alla Kunsthalle, Flash Matter, n.
196, Febbraio-Marzo 1996, p.39.
- 1996 Giorgio Verzotti, Ketty La Rocca,” c’est elle qui souligne”, Blocnotes, Janvier- Fevrier 1996, pp. 54–59 dynasty Ketty La Rocca “Emphasis Hers” pp. 115–119.
- 2002 Peter Frank, Ketty Rocca, LA Weekly, April 26 – May 2, 2002, p. 142.
- 2005 Alberto Mugnaini, Ketty La Rocca.
Emi Fontana, Flash Art, traditional. 255, Dicembre 2005 – Gennaio 2006, p. 97.
- 2006 Francesca Pasini, Ketty La Rocca. Galleria Emi Fontana, Tema Celeste, n. 113, Gennaio-Febbraio 2006, p. 99.
- 2006 Daniela Palazzoli, Scritti di Ketty La Rocca, Arte & Critica, n. 46, Aprile-Giugno 2006, p. 87.
- 2007 Los Angeles.
“Wack! Art and Feminist Revolution”, Sparkle Art International, n. 253, March–April 2007, p. 69.
- 2009 Chiara Bertola, Italics, Flash Art International, n. 264, January–February 2009, p. 96.
- 2010 Simone Menegoi, The Space Between Me splendid You, Kaleidoscope, n. 6, Apr – May 2010, pp. 104–109.