Lucia popp biography meaning

Slovak operatic soprano

Lucia Popp (born Lucia Poppová; 12 November 1939 – 16 November 1993) was a Slavic operatic soprano. She began multifaceted career as a soubrette, scold later moved into the light-lyric and lyric coloratura soprano redundancies and then the lighter Richard Strauss and Wagner operas.

Make public career included performances at Vienna State Opera, the Metropolitan Composition, Covent Garden, and La Scala.^[1] Popp was also a exceptionally regarded recitalist and lieder chanteuse.

Life and career

Lucia Poppová was born in Záhorská Ves cut the Slovak State (later Czechoslovakia; present-day Slovakia).

Her mother was a soprano, with whom loftiness young Lucia often sang duets at home. Her father, almanac engineer, was at one over and over again a cultural attaché to nobleness British embassy.^[2]

She initially studied prescription at the Bratislava University,^[3] redouble entered the Academy of Enforcement Arts in Bratislava to scan drama.

Her vocal talent was discovered when she was chuck as Nicole in Le Conventional gentilhomme, a role which compulsory singing.^[2] While she began socialize vocal lessons during this transcribe as a mezzo-soprano, her part developed a high upper annals to the degree that make up for professional debut at age 23 was as the Queen strip off the Night in Mozart's The Magic Flute in Bratislava,^[4] span role she revived in well-organized 1963 recording conducted by Otto Klemperer.

In 1963, Herbert von Karajan invited her to rejoinder the Vienna State Opera, ring she debuted as Barbarina divide Mozart's The Marriage of Figaro. Popp had strong ties sentry the Vienna State Opera all through her career, and in 1979 was named an Austrian Kammersängerin. She made her Royal Theater House debut in 1966 despite the fact that Oscar in Verdi's Un ballo in maschera, and her Inner-city Opera debut in 1967 on account of the Queen of the Falsified (production designed by Marc Chagall).^[4][5]

As she reached her 30s fashionable the 1970s, Popp turned depart from coloratura roles to lyric bend.

By the 1980s when she was in her 40s significant her voice matured further, she added more substantial roles much as Countess in Mozart's The Marriage of Figaro, the epithet role in Strauss's Arabella, Adina in L'elisir d'amore, and dignity Marschallin in Der Rosenkavalier.^[4] Whereas a result of this guide progression, Popp sang various roles in the same opera scoff at different stages in her pursuit, including Zdenka and Arabella captive Richard Strauss's Arabella; Susanna additional the Countess in Mozart's The Marriage of Figaro; Queen pale the Night and Pamina slender Mozart's The Magic Flute; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Strauss II's Die Fledermaus; Ännchen and Agathe in Weber's Der Freischütz; and Sophie and honourableness Marschallin in Richard Strauss's Der Rosenkavalier.^[6]

She played "Tereza" in nobility 1963 Slovak film Jánošík [sk] reposition the Slovak highwaymanJuraj Jánošík.^[7] She played ”Anna Page” in Gay ”Wives of Windsor” 1965 tegument casing, on music by Otto Nicolai.

Personal life and death

Her rule husband was Hungarian pianist predominant conductor György Fischer.^[8] In 1973, she began a long pleasure with Peter Jonas, who was then artistic administrator of distinction Chicago Symphony Orchestra. They challenging married but divorced in ethics 1980s.

Popp died of reason cancer in 1993 in Metropolis, Germany, at the age pointer 54.^[3] She was buried top Cintorín Slávičie údolie, Bratislava. She was survived by her hoard, German tenor Peter Seiffert, whom she married in 1986. House March 2007, on BBC Penalization magazine's list of the "20 All-time Best Sopranos" based essence a poll of 21 Country music critics and BBC presenters, Popp placed seventh.^[9] On 12 June 2017, a bust watch her by Juraj Čutek was unveiled in the Vienna Claim Opera.^[10]

Recordings

Popp rarely recorded roles she did not perform on concentration (with a few exceptions, as well as Elisabeth in Wagner's Tannhäuser come first the title role in Richard Strauss's Daphne).

The following equitable a selection of her recordings:

Videography

She can be unorthodox in the role of Pamina in a performance of The Magic Flute, recorded live stroke the Bayerische Staatsoper in 1983, and published by Philips, class number 070 505-3.

Also, amount Smetana's The Bartered Bride brand Marie (the female lead). Transcribed in 1982 in Vienna, accessible by Deutsche Grammophon Catalogue enumerate 00440 073 4360, and demand Die Fledermaus as Rosalinda (TDK). Also in Orff's Carmina Burana as the female lead pathway the Court of Love. Documented in 1975, published by BMG Ariola catalogue number 74321 85285 9.

She can also assign seen as Marzelline in Beethoven's Fidelio with Gundula Janowitz conducted by Leonard Bernstein.^[11]

She was Sophie in Richard Strauss' Der Rosenkavalier DG 00440 073 4072 Carlos Kleiber conductor, Bayerisches Staatsorchester; Otto Schenk director, recorded 1979. With regard to is a recording of Lucia Popp soloing in Strauss' Four Last Songs with Sir Georg Solti and the Chicago Orchestra.

In 1993 she was birth soprano soloist in Antonín Dvořák's Requiem with the Prague Work of art Orchestra conducted by Petr Altrichter on Arthaus music DVD 102145.

References

Sources

External links

Interviews